At the time of the 2011 earthquake, Japan received from Taiwan, which has a population of less than 2.4 million people, more than 20 billion yen in relief donation. The following year, in 2012, the number of Japanese tourists to Taiwan reached a record high. Many Japanese people who visit Taiwan say they see traces of Japan on this island. If the colonial history isn't even a century old, many people tend to forget the complexity of the past and what links countries, lands, peoples, times, what brought us to the present we live in. This film is Atsuko Sakai's second documentary work collecting voices of the "Japanese generation" in Taiwan.

Chenggong Town (Taitung County) has a population of approximately 15,000 people. This area, located in the southeastern part of Taiwan and surrounded by the Pacific Ocean and mountain ranges, has been home to many Japanese and Han Chinese people since the completion of the fishing port in 1932, creating a fishing and agricultural town. Japanese immigrants brought swordfish fishing with a stick, and this fishing method is still used today. Atsuko Sakai depicts the people who have lived facing the sea and the land even as times have changed, living their lives honestly, placing "prayer", "gratitude for life" and "family" at the center of them. The final chapter of Sakai's Taiwanese trilogy.

This documentary closely follows two Japanese individuals who have undergone body modification, a major cultural trend overseas. Through images and provocative statements, the documentary delves into the inner world of these individuals, challenging the impression that they are only feared based on their appearance.

Kenji Shiratori, a blind man, visited an art museum for the first time on a date with his girlfriend. That day, as he listened to the words spoken in front of the work, he began to think, Maybe it's possible to see art even if you're completely blind.

Kurokawa Yoshimasa, Daidoji Masashi, Masunaga Toshiaki, and Arai Mariko, all members of the East Asian Anti-Japanese Armed Front " Scorpion, " were incarcerated for instigating the bombing of the Marunouchi offices of Mitsubishi Heavy Industries. This film was conceived of and directed by Kurokawa whilst in prison. During the making of this film, he and his fellow members were under sentences of death or life imprisonment. As testimony to Kurokawa's idea that " the emperor system is not only an incarnation of the patriarchal principle but also the embodiment of the female principle, " the film aims " to critically examine the essence of the Japanese maternal image. "

Grandfather’s retirement means the loss of another craftsman who has the traditional technique. Before they discard the atelier where he has been working for years and his precious tools, I want to capture them in the film as a memento of how he worked.

After 7 years since “Tokyo-Morava”, Moku and Bekim were filming at Brčko. Based on “Tvoj sin Huckleberry Finn”.

Volcanic eruption footage in Japan

The Shiretoko National Park, on the northern tip of the Japanese peninsular, is a little-known paradise for wild animals and birds. Deservedly designated a UNESCO World Heritage Site, the park’s stunning biodiversity relies on the delicate balance of the changing seasons, and the drifting pack ice that descends in winter. Hundreds of brown bears roam through the park in autumn, gathering on the riverbanks to catch migrating salmon. Winter brings freezing temperatures and the return of Stellar Sea Eagles from Russia, who dive between the few remaining gaps of the pack ice to catch fish, as deceptively angelic sea snails hunt their prey. When the ice melts in spring, herring feed on the blooming plankton, enticing shearwater seabirds from Australia, fin whales, and orcas. With climate change altering the natural habitat of these creatures, what will become of Japan’s biodiversity hotspot?

Nao, who was born with a disability, was once told, "She won't live long." However, Nao has now turned 50 years old. Raised by her family and her community, and in turn, raising her family and community over the years... This is a human documentary spanning 50 years, dedicated to observing and cherishing the essence of "life."

DISK 1: SUNRISE TO SUNSET Documentary SUNRISE TO SUNSET + BLARE FEST 2020 live Song list (BLARE FEST 2020): 1. Ligarse 2. Resurrection (feat. Masato from coldrain/ Hazuki from lynch.) 3. Weight of my pride (feat. MAH from SiM) 4. Respect for the dead man (feat. Koie & Teru from Crossfaith / NAOKI & NOBUYA from ROTTENGRAFFTY) 5. Pictures (Feat AG from Noisemaker / Yosh from Survive Said The Prophet) 6. Voice (feat. Taka from ONE OK ROCK) 7. Rain 8. This life DISK 2: SUNRISE TO SUNSET INTERVIEWS (UNRELEASED FOOTAGE) DISK 3: FROM HERE TO SOMEWHERE (2013.12.30 ZEPP TOKYO) Song list: 01. Sweetest vengeance 02. Here I'm singing 03. Drive 04. Deprogrammer 05. Wallow in self pity 06. The answer is not in the tv 07. Gift 08. Weight of my pride 09. Home 10. Rain 11. Another day comes 12. This life 13. Greed 14. The sun, love and myself 15. Black sheep 16. Lose your own 17. Paralyzed ocean 18. Against the pill

Kazaburō Sugishima, who turns 97 this year, has long contributed to the recovery and development of Yokohama following the Great Air Raid. His wealth of experience and timeless insights resonate with today's civic efforts across generations, continuing to inspire and guide Yokohama toward becoming a vibrant and dynamic city.

Tokyo in the 1950s. A jazz-loving younger sister attends piano lessons, while her older brother is obsessed with drumming. The two discover the joy of music. From the ashes of Cinema 58, a continuation of Hiroshi Teshigahara and Susumu Hani’s screening group Cinema 57, Teshigahara and Hani invited new filmmakers to join the group such as Yoshiro Kawazu, Zenzo Matsuyama, Kyushiro Kusakabe, Sadamu Maruo, Kanzaburo Mushanokoji, Masahiro Ogi, Ryuichiro Sakisaka to make Tokyo 1958. Hani, Teshigahara and Kawazu make a promotional jazz film for an instrument maker during the vibrant 50s. They employ a similar newsreel documentary shooting style as Tokyo 1958.